She works regularly with McGregor, credits including Yantra (Stuttgart Ballet), Genus (Paris Opera Ballet), Skindex (Nederlands Dans Theater) and Millenarium, Sulphur 16 and Aeon (Wayne McGregor | Random Dance).įor the National Theatre Mortimer has designed more than 25 productions, including Follies, When We Have Sufficiently Tortured Each Other, The Plough and the Stars, The Threepenny Opera, The Silver Tassie, Othello, Hamlet, The Seagull and The House of Bernarda Alba. Her other opera designs include, for Nicholas Hytner, Così fan tutte (Glyndebourne), and for Rory Kinnear The Winter’s Tale (ENO). For Mitchell her other opera designs include costumes for Orest (Dutch National Opera) and designs for Al gran sole carico d’amore (Berlin State Opera, Salzburg Festival), Neither (Berlin State Opera), After Dido and The Way Back Home (English National Opera), St Matthew Passion (Glyndebourne) and The Sacrifice, Jenufa, Kát’a Kabanová and Jephtha (Welsh National Opera). For David McVicar designs include Die Meistersinger von Nürnberg and Die Entführung aus dem Serail (Glyndebourne), Ariodante (Vienna State Opera) and Wozzeck (Lyric Opera of Chicago).
Mortimer studied at the Slade School of Fine Art. In the 2019/20 Season she also designs Death in Venice for David McVicar. She made her Royal Opera debut in 2013 on Written on Skin and has since designed Lucia di Lammermoor (revived in the 2019/20 Season) and Lessons in Love and Violence for The Royal Opera, both directed by Mitchell. In 2009 she designed Parthenogenesis in the Linbury Studio Theatre for ROH2, directed by Katie Mitchell. British designer Vicki Mortimer made her Royal Ballet debut in 2003 on Wayne McGregor’s Qualia and has since returned to work on McGregor’s Raven Girl (2013).
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